Episode 1.8: Little Miss Nobody [REWIND]

As we take a brief hiatus, let's rewind, shall we?

Determined to get her artist to perform at 9:30 Club, Kenya gives it one more try. But with this new plan, even if she strikes out, she'll still win the game.

UPDATE!!! Since the recording of this episode, Barry Farm has received its Landmark Status. Learn more on the credits page for this episode.

For full credits and sources on this episode, go to:




Episode narrated by Kayona Ebony Brown


Written, recorded, and produced by Kayona Ebony Brown at Siingle Studios in Washington, DC


All music for this episode provided by Filmstro - arranged for this episode by Kayona

Stomp Clap Slap by Leon Felekyan

Niña by Mona Wonderlick

(Free Download): http://bit.ly/nina-download

(Look out) She’s America by Otis McDonald

Credits music: Quarter Past Six by Le Gang by Le Gang

Word of the episode: I Saw A Ghost Last Night by Leonell Cassio

Sound effects: Audio Blocks

Edited with Adobe Creative Cloud and Filmstro

To have your music considered for placement in the show, send us a link where it can be streamed and downloaded. Soundcloud and Bandcamp are two great sites to do so. Go to ofmusicandmen.com to submit your music.

About the Podcast

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Of Music and Men
Of Music and Men is an episodic story presented in podcast format that takes you into the lives of a diverse ensemble of interconnected millennials navigating perhaps the country's most colorful dating scene, while delving into the life of Kenya...

About your host

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Kayona Ebony Brown

Hailing from our nation’s capital, Kayona Ebony Brown is a multi-hyphenate storyteller who grew up in a home that nurtured her eccentricities and unexpected interests of a girl. Thus, she gives fuel to female-driven vehicles, emphasizing existential undertones, putting unusual or unpredictable women at the wheel.

Using drama to bake fresh narratives, her stories are always flavored with other genres—fantasy, sports, music—which gives her work with both TV and feature scripts a common thread: she makes female leads of color just as acceptably flawed and admirably defective as the straight white men we always find a way to love.

Rejecting the presumed path of a Washingtonian (government work) in favor of art, Kayona is the recipient of multiple awards for her writing and filmmaking, as she continues to build her career independently.