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Episode 4

Episode 2.4: When Do You Start?

Kenya's job overseeing the careers of musicians often blur the lines between professional and parental, when Lucas needs more from her than she can give. And Tk is forced to make a big decision about her music and her day-job.

For full credits and sources on this episode, go to:

CREDITS

Narration
Episode narrated by Kayona Ebony Brown

Episode
Written, recorded, and produced by Kayona Ebony Brown at Siingle Studios in Washington, DC

MUSIC LISTED IN ORDER OF APPEARANCE IN THE EPISODE

All music for this episode provided by Filmstro - arranged for this episode by Kayona

Mona Wonderlick on Spotify: bit.ly/spotify-mona-wonderlick
Mona Wonderlick on Apple Music: bit.ly/applemusic-monawonderlick

I'm Up In The Clouds by Le Gang
Le Gang - "Lo-Fi Beats & Chill" (Album) out on Spotify & Apple Music.
Le Gang on SoundCloud: @thisislegang
Le Gang on Spotify: spoti.fi/2Nqx1E1
Le Gang on Apple Music: apple.co/2tCxx8M
Le Gang on YouTube: bit.ly/2Th5V7E

Music for the Word of the episode:
Horizons by @ScottBuckley

Edited with Adobe Creative Cloud

To have your music considered for placement in the show, send us a link where it can be streamed and downloaded. Soundcloud and Bandcamp are two great sites to do so. Go to ofmusicandmen.com to submit your music.
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About the Podcast

Show artwork for Of Music and Men
Of Music and Men
Of Music and Men is an episodic story presented in podcast format that takes you into the lives of a diverse ensemble of interconnected millennials navigating perhaps the country's most colorful dating scene, while delving into the life of Kenya...

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About your host

Profile picture for Kayona Ebony Brown

Kayona Ebony Brown

Hailing from our nation’s capital, Kayona Ebony Brown is a multi-hyphenate storyteller who grew up in a home that nurtured her eccentricities and unexpected interests of a girl. Thus, she gives fuel to female-driven vehicles, emphasizing existential undertones, putting unusual or unpredictable women at the wheel.

Using drama to bake fresh narratives, her stories are always flavored with other genres—fantasy, sports, music—which gives her work with both TV and feature scripts a common thread: she makes female leads of color just as acceptably flawed and admirably defective as the straight white men we always find a way to love.

Rejecting the presumed path of a Washingtonian (government work) in favor of art, Kayona is the recipient of multiple awards for her writing and filmmaking, as she continues to build her career independently.