Episode 5

Episode 2.5: The Great Compromise

Kenya's date with the older guy starts out great--a @BalkanBeatBox show and pancakes at The Diner--but a 20 year age difference quickly reveals some differences in how they see their futures (and present, for that matter).

For full credits and sources on this episode, go to:

CREDITS

Narration
Episode narrated by Kayona Ebony Brown

Episode
Written, recorded, and produced by Kayona Ebony Brown at Siingle Studios in Washington, DC

MUSIC LISTED IN ORDER OF APPEARANCE IN THE EPISODE

Chillin in the 70s by Studio Monkey

Get The Balkan Party Started by @Soundroll

Things by @LiQWYD & @thisisLeGang :
Music by LiQWYD & Le Gang - Free download: bit.ly/things-free-download
INSTAGRAM: Music by @LiQWYD & @thisislegang

Balkan Partizoni By @Soundroll

Strange by Aden @musicbyaden

Quirky Latin by Pink Zebra

Escape by @Niwel

Music for the Word of the episode:
Undertow by @ScottBuckley

Edited with Adobe Creative Cloud

To have your music considered for placement in the show, send us a link where it can be streamed and downloaded. Soundcloud and Bandcamp are two great sites to do so. Go to ofmusicandmen.com to submit your music.

About the Podcast

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Of Music and Men
Of Music and Men is an episodic story presented in podcast format that takes you into the lives of a diverse ensemble of interconnected millennials navigating perhaps the country's most colorful dating scene, while delving into the life of Kenya...

About your host

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Kayona Ebony Brown

Hailing from our nation’s capital, Kayona Ebony Brown is a multi-hyphenate storyteller who grew up in a home that nurtured her eccentricities and unexpected interests of a girl. Thus, she gives fuel to female-driven vehicles, emphasizing existential undertones, putting unusual or unpredictable women at the wheel.

Using drama to bake fresh narratives, her stories are always flavored with other genres—fantasy, sports, music—which gives her work with both TV and feature scripts a common thread: she makes female leads of color just as acceptably flawed and admirably defective as the straight white men we always find a way to love.

Rejecting the presumed path of a Washingtonian (government work) in favor of art, Kayona is the recipient of multiple awards for her writing and filmmaking, as she continues to build her career independently.